Museum Gunzenhauser
Presentation of the Collection

The Dawn of Modernism. From Impressionism to Expressionism to the Bauhaus

Alexej von Jawlensky, Messalina, 1912

The Dawn of Modernism. From Impressionism to Expressionism to the Bauhaus

From 7 March 2026

The Gunzenhauser Museum houses the collection of Munich gallery owner Dr Alfred Gunzenhauser, with more than 3,000 works by 270 artists, focusing on art from the turn of the century around 1900, Expressionism, New Objectivity and 20th-century abstraction. With 380 works by Otto Dix, the museum has one of the world’s largest collections of the painter’s work. It also houses one of the largest collections of the Expressionist Alexej von Jawlensky. Other large collections include works by Willi Baumeister, Gabriele Münter, Conrad Felixmüller, Serge Poliakoff, Uwe Lausen and Johannes Grützke.

The collection traces the development from Impressionism to Expressionism to the Bauhaus with paintings by Félix Vallotton and Lovis Corinth, among others, through to Willi Baumeister and Kurt Schwitters.

At the end of the 19th century, young artists initially turned their attention to contemporary art in Paris. Against the backdrop of rigid, conservative art policy in the German Empire and what was perceived as stagnant official academic art, a series of secessions took place in quick succession. These focused on trends in Impressionism, Symbolism and Art Nouveau. The artistic shift from Impressionism to Expressionism is also evident in the work of Alexej von Jawlensky and Gabriele Münter, who experienced an artistically stimulating and productive period in Murnau in 1908 and found new means of expression.

Gallery

Alexej von Jawlensky (1864–1941), Messalina, 1912, Öl auf strukturierter beidseitig kaschierter Pappe, 53,6 x 49,6 cm, Kunstsammlungen Chemnitz – Museum Gunzenhauser, Eigentum der Stiftung Gunzenhauser, Chemnitz, Foto: Kunstsammlungen Chemnitz/Archiv
Alexej von Jawlensky (1864–1941)
Messalina, 1912
Alexej von Jawlensky, Berggipfel, 1912, Kunstsammlungen Chemnitz-Museum Gunzenhauser, Eigentum der Stiftung Gunzenhauser, Chemnitz, Foto: Archiv Museum Gunzenhauser
Alexej von Jawlensky
Berggipfel, 1912
Ernst Ludwig Kirchner (1880–1938), Erich Heckel und Dodo im Atelier, 1910/1911, Öl auf Leinwand, 120 x 120 cm, Kunstsammlungen Chemnitz – Museum Gunzenhauser, Eigentum der Stiftung Gunzenhauser, Chemnitz, Foto: Kunstsammlungen Chemnitz/Archiv
Ernst Ludwig Kirchner (1880–1938)
Erich Heckel und Dodo im Atelier, 1910/1911
Gabriele Münter (1877–1962), Landschaft mit Hütte im Abendrot, 1908, Öl auf Papier auf Karton , 33 x 40,8 cm, Kunstsammlungen Chemnitz – Museum Gunzenhauser, Eigentum der Stiftung Gunzenhauser, Chemnitz, Foto: Kunstsammlungen Chemnitz/László Tóth © VG Bild-Kunst, Bonn 2026
Gabriele Münter (1877–1962)
Landschaft mit Hütte im Abendrot, 1908